So lets look at a other design option for Irene’s Yew. Again I start with the same drawing of the frame of the tree, with out the branches.  


So now I want to try and see if I can get any movement in this straight tree. I plane to use the right branch, it grows in a nice angle from the trunk and has a nice secondary branch growing on a interesting place. So now I will virtual tilt the tree to the left to create some movement and angles to the tree trunk.


It’s a start, but still not enough movement for my liking!


Now we are talking! I like to create angles in my designs, and I like to have branches, foliage  or Jin’s emphasising the movement these angles  create. Let me try to explain: the arrow on the left points at the future corner in my trunk design. This is a point were your eye, when you follow the line of the trunk upwards, turns from going left, to going right. If you emphasize this important point with a branch,  foliage or Jin, you will create a place for the eye to stop  at, before it’s travels further upwards. (second arrow)

Those two thick trunks on the left are to straight and with out any interest (in this design!). So they must  be confurted into deadwood,  so they  are used to benefit the design.


Here you can see how I might shape the Shari and Jins to emphasize that part were the tree changes direction. I also converted the back branches into Jins. Now I’m going to place the foliage in such a way that bring balance into the overall design. But also  in a way that again enhances the movements of the tree!


It is not easy to draw a picture with my mouse, but something like this is  what I mean. Now the same tree is transformed in a typical bonsai style. That evokes a completely different feeling than the early-er formal broom style I made.


First the movement of the tree goes to the left and then were it changes to the right, I created   a eye catcher in the form of that Jin. A place for the eyes to stop on there way up the tree and to enhance the change in trunk direction. It also divides the ,otherwise to big,    empty space on the left side of the tree, preventing that the  tree  is being pushed to much to the right  and looking unbalanced.


The first branch on the right,  leans nicely on the empty space that is  trapted under-need it (dotted line).  Supporting the tree imaginary, holding it up, and there for  keeping the tree in balance. Empty spaces are one of the most important features for a successful design, but are often neglected or misunderstood.

So there you have it, a other vision and possibility for “Mom’s Yew”. I will have a other idea ready in a few days. We have a lot to think about and a lot of decisions to make! But that is the fun in designing a bonsai.


Posted in ONLINE WORKSHOP CLUB., Uncategorized | 2 Comments

2 Responses to “MOM’S YEW” DESIGN VIEWS. PART 2

  1. Irene_B says:


    You have been very busy!

    I am getting more excited!


  2. Irene_B says:


    You have been very busy!

    I am getting more excited!


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